The Hangover (Suzanne Valadon)

The Hangover (Suzanne Valadon) (French: Gueule de Bois), also known as The Drinker (French: La Buveuse), is a late 1880s, oil-on-canvas painting by French artist Henri de Toulouse-Lautrec. The painting was created just before he became successful as an artist. It depicts a drunken woman drinking alone in a club, reflecting the counterculture of Montmartre and the spectre of alcoholism among French women during the Belle Époque. The model in The Hangover is artist Suzanne Valadon, Lautrec's lover. In the early 1880s, after falling from a circus trapeze at the age of 15 and suffering a back injury, Valadon began working as an art model in Montmartre. She had been drawing all her life, but now she pursued a career as an artist, becoming the first woman painter admitted to the Société Nationale des Beaux-Arts.

French cabaret singer and nightclub owner Aristide Bruant is thought to have influenced the development of the painting and possibly even its title. Lautrec's technique is loosely reminiscent of both the color theory of Neo-Impressionism and the technique of Lautrec's art school friend Vincent van Gogh. The work was preceded by several preparatory studies followed by a drawing in ink and chalk that was later published in Le Courrier français in 1889. Lautrec drank copious amounts of alcohol to deal with pain from his assumed underlying genetic disorder which left him disabled. Alcoholism and the syphilis he later acquired due to his habit of frequenting brothels would later contribute to his death at the young age of 36.

The work was on permanent exhibition at Le Mirliton in the late 1880s and early 1890s. It was first exhibited in the United States at the Armory Show in 1913. It is now held by the Fogg Museum, while the study and drawing are both held by the Musée Toulouse-Lautrec. The Hangover is one of several different works by Lautrec featuring Suzanne Valadon, including Maria Big with Child (1884) in the Von der Heydt Museum, Portrait of Suzanne Valadon (1885) in the Museo Nacional de Bellas Artes, Portrait of the Painter Suzanne Valadon (1885) in the Ny Carlsberg Glyptotek, and Rice Powder (1887) in the Van Gogh Museum.