New Beginning (Tracy Chapman album)

New Beginning
Studio album by
ReleasedNovember 14, 1995
Studio
GenreFolk rock, blues
Length62:19
LabelElektra
ProducerTracy Chapman, Don Gehman
Tracy Chapman chronology
Matters of the Heart
(1992)
New Beginning
(1995)
Telling Stories
(2000)
Singles from New Beginning
  1. "Give Me One Reason"
    Released: 1995
  2. "New Beginning"
    Released: 1996
  3. "The Promise"
    Released: 1996
  4. "Smoke and Ashes"
    Released: 1996
Professional ratings
Review scores
SourceRating
AllMusic
Cash Boxfavorable
Christgau’s Consumer GuideB−
Entertainment WeeklyB
The Guardian
Rolling Stone
The Rolling Stone Album Guide

New Beginning is the fourth album by singer-songwriter Tracy Chapman, released in 1995. According to Nielsen Soundscan, it is her biggest-selling recording since 1991, with 3.8 million copies sold, and according to the RIAA, it has shipped five million copies in the United States.

The album's sound consists of Chapman's trademark acoustic folk-rock sound and is mainly made up of slow low-key tunes and a few upbeat tracks. One notable exception is the hit "Give Me One Reason", which is a blues piece. Chapman earned the Grammy Award for Best Rock Song for the track, and it was also nominated for Record of the Year, Song of the Year, and Best Female Rock Vocal Performance at the Grammy Awards of 1997.

Aside from the single “Give Me One Reason”, all of the songs are at least 4:56. The song "Unsung Psalm" was originally written and recorded for this album, but was cut. It was later included on her 2000 album Telling Stories. According to Billboard magazine, the "New Beginning" single was the first disc to have a sticker printed on the back of the packaging detailing system requirements to play the multi-media footage.

The use of a didgeridoo in the "New Beginning" track was a source of controversy. Chapman was taught to play at the Didgeridoo University in Alice Springs; however, the use of a didgeridoo by women is taboo in many aboriginal nations. The album also featured an extensive use of backup singers, which was very rare in Chapman's earlier works.