Bivouac (album)

Bivouac
Cover of the CD release
Studio album by
ReleasedDecember 1, 1992
RecordedOctober 1991
StudioRazor's Edge, San Francisco, California
Genre
Length55:02
LabelTupelo, Communion
Producer
Jawbreaker chronology
Unfun
(1990)
Bivouac
(1992)
24 Hour Revenge Therapy
(1994)
Singles from Bivouac
  1. "Chesterfield King"
    Released: May 1992

Bivouac is the second studio album by American punk rock band Jawbreaker, released through Tupelo Recording Company and The Communion Label on December 1, 1992. While promoting their debut album, Unfun (1990), on a ten-week tour of the United States, the band had new material that they wished to work on through their shows. They ended up breaking up after the tour's conclusion, though they later regrouped in 1991 to write new songs. From June 1991, they wrote material and practiced several times a week in the lead-up to recording sessions in October 1991. The sessions were held at Razor's Edge in San Francisco, California, with Jawbreaker, Billy Anderson, Mike Morasky, and Jonathan Burnside all getting producer credit. Categorized as an emo, punk rock, and pop-punk release, it had elements of the work of Helmet, Naked Raygun, and early Smashing Pumpkins, and took influence from the Midwestern and Washington, D.C. post-punk scenes.

Bivouac was met with favorable reviews from music critics, many of whom praised its varied sound, while others commented on the change of direction from Unfun. In the lead-up to Bivouac's release, "Chesterfield King" was released in May 1992, which was promoted with a US East Coast tour. After a few months, frontman Blake Schwarzenbach started suffering from throat issues; while touring in Europe, he underwent surgery in London to remove a polyp that had formed on his vocal cords. He returned to singing five days later and had a break in his voice, which had shifted two octaves higher. Bivouac was reissued through drummer Adam Pfahler's label, Blackball Records, in 2012 and has since been re-pressed on vinyl twice. The album has been seen as an important release for the emo genre by LA Weekly and Spin, while "Chesterfield King" has been included on a list of the 100 best pop-punk songs by Cleveland.com.